Before we begin, this paper was actually written on November 29th, 2015, during my college days (I was in the Design Foundations program at the time).
I finally dug it out! I presumably have a copy on my old PC hard-drive, as I couldn’t find any in either of my Google Doc accounts. However, I actually discovered an attached copy in my FB messenger app, because I had sent one to a friend while I was writing it years ago…so, here we go.
I hope you will learn something absolutely fascinating about Buddhism, Alexander the Great’s Conquests, Wind Gods, and how Art and Religion are interwoven.
This paper actually reminded me why I was sold on the idea of starting a blog. Ask interesting questions, find interesting answers, and share them with people. What could be more fun?
Without further ado, the full transcript:
Mini Research Paper
From Boreas to Fujin: The Iconographic evolution of a transcultural wind god
The Japanese Buddhist Wind Deity, Fujin had his origins as the Greek Wind God Boreas. This short research paper will explore the iconographic evolution of Boreas through several different cultures, finally culminating in his final form in Japan.
It is often easy to assume that different cultures are isolated, developed separately and have no relations to one another, but this is often untrue. Indo-Europeans for example, counts amongst their descendants everything from the Irish to the Hindus. Austronesians can be found in Taiwan, New Zealand and even Hawaii. For this reason, art and culture can often transcend their boundaries. The Japanese Wind God, Fujin is but the final form of a long line of wind deities that have their origins in ancient Greece.
After Alexander the Great passed away, he left behind a sizeable Hellenistic presence in the East. In parts of what we would call Afghanistan today, his subordinates set up an ancient Kingdom known as Bactria and they became a bridge between East and West, a kingdom right alongside the silk road (Crabben 2011).
In the Indian subcontinent, the Mauryan King, Ashoka the Great rose to power and converted to Buddhism. He commissioned great missionary expeditions to spread Buddhism to all four corners of the world, and erected stupas- pillars with religious inscriptions in multiple languages that also housed the ashes of the Buddha- wherever Buddhism spread. (Szczepansk).
Eventually, the Bactrian King invaded India and created what is now known as the Indo-Greek Kingdoms “Indica served as an important source to many later writers such as Strabo and Arrian. The 1st century BC Greek historian Apollodorus, quoted by Strabo, affirms that the Bactrian Greeks, led by Demetrius I and Menander, conquered India and occupied a larger territory than the Macedonians under Alexander the Great, going beyond the Hyphasis…” (Sanujit, 2011, para.31). The Indo-Greek Kingdom was eventually divided into several kingdoms. Greeks living in India at the time were referred to as Yonas in Pali or Yavanas in Sanskrit (Simonin, 2011, para.2).
So where does Fujin come into all of this? Well, Boreas, the Greek wind deities were brought along with the Greeks, and found their way into Ghandara (a geographical region in Pakistan bordering the Kush Mountain range and the Himalayas). There, Ghandara artisans created incredible fusions of Greek and Hindu styled Buddhist art.
Here, the Buddha himself was given human form, modelled after Apollo. Now, these sculptures and reliefs often have decorative deities accompanying the central figure or story. Some of these included Centaurs or Tritons. One of these was the figure of Boreas, who was depicted in the classical style with a bag of wind. Eventually, this Greco-Buddhist version of Boreas became known as Wardo.
Wardo was transplanted to the nearby Tarim Basin in Northwestern China. He became the Taoist wind deity, Feng Po, literally, “Uncle Wind (Andrews, 2000, p.68). When Buddhism reached Japan, they brought with them Feng Po’s iconography, and he became Fujin, literally, “Wind God” (Petretta, 2014, para.3). He was adopted into Shintoism and given name and narrative. To be clear, Fujin is not a native Japanese deity that was given the iconography of Boreas, but he literally is Boreas. They are one and the same. “The Japanese wind god images do not belong to a separate tradition apart from that of their Western counter-parts but share the same origins.” (Tanabe, 2003, p.21).
In all incarnations, they have carried a bag of wind. “One of the characteristics of these Far Eastern wind god images is the wind bag held by this god with both hands, the origin of which can be traced back to the shawl or mantle worn by Boreas/ Oado.” (Tanabe, 2003 p.21).
And that was how Boreas made his way to Japan, carried forth by the passage of time, the syncretism of human cultures and the expansion of Buddhism.
1. Crabben, J. (2011, April 28). Bactria. Ancient History Encyclopedia. Retrieved November 30, 2015, from http://www.ancient.eu/Bactria/
2. Szczepansk, K. (n.d.). Learn About Ashoka the Great (and Terrible). Retrieved November 30, 2015, from http://asianhistory.about.com/od/india/a/ashoka.htm
3. Sanujit. (2011, February 12). Cultural links between India and the Greco-Roman world. Ancient History Encyclopedia. Retrieved November 30, 2015, from http://www.ancient.eu/article/208/
4. Simonin, A. (2011, April 28). Indo-Greek. Ancient History Encyclopedia. Retrieved November 30, 2015, from http://www.ancient.eu/Indo-Greek/
5. Andrews, T. (2000). Dictionary of nature myths: Legends of the earth, sea, and sky (p. 68). Oxford: Oxford University Press.
6. Petretta, D. (2014, November 22). Fujin: Origins Along The Slik Road | Global Connections. Retrieved November 30, 2015, from http://globalconnections.champlain.edu/2014/11/22/fujin-origins-along-the-slik-road/
7. Tanabe, K. (2003). Alexander the Great: East-West cultural contacts from Greece to Japan (p. 21). Tokyo: Tōkyō Kokuritsu Hakubutsukan.
8. Shizhao, (2006, April, 20th). WindGods.JPG [digital image].
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